How I Got My Agent: the Multi-talented Teresa Robeson
My picture book critique buddy and good friend Teresa Robeson has signed with an agent: Ella Kennen of the Corvisiero Agency. She is multitalented: she writes picture books, middle grade, YA, short stories, and illustrates (not to mention homeschools, paints, knits, gardens, cans food, etc.). She tells us about The Call and how she ended up here.
Tell us
about your writing journey. How long have you been writing, and what sorts of
stories do you write?
I’ve enjoyed writing ever since I learned English after
moving to Canada in third grade, but I didn’t think about writing
professionally until 1990 when I took my first course from the Institute of Children’s Literature. I decided to take the course because kid lit, along with
science fiction, was one of my first loves. Within a year of completing the class,
I joined SCBWI and sold my first short story to Ladybug Magazine and my first
article to Outdoor Indiana.
Throughout the next decade, I continued to sell poetry to
Babybug and Ladybug magazines. When my kids got to be a certain age, I became
so busy with homeschooling and small-scale homesteading, I stopped writing for
a while.
About four years ago, I decided to turn to my other first
love, science fiction, and took the Science Fiction and Fantasy courses from the talented
Michaela Roessner through Gotham Writers’ Workshop.
I never forgot about children’s lit and when I saw Julie Hedlund's 12x12 Picture Book Writing Challenge mentioned at WriteOn Con and
Verla Kay’s Blueboard (now SCBWI’s Blueboard) back in 2012, I decided to give
it a try in 2013. What a wonderful venue that has been in so many ways!
So, that was the long way to say I write general fiction,
nonfiction (mainly science and nature), and science fiction for all ages, from
children to adults.
How did you met Ella Kennen and how did she became your agent?
I want to stress that this is not how I recommend
someone find an agent. LOL!
It started innocently enough. I first met Ella through the 2013 12x12 (like I said, that has been a wonderful venue in so many ways!), and we became Facebook and Twitter friends. Now, I normally try very hard not to whine on social media, but I was feeling down after a rejection, and despite my better judgment, I tweeted that just because some publisher doesn’t like my story doesn’t mean it’s not a good story.
The universe must have taken pity on me that day because Ella saw my tweet, asked me to show her the story so she could give me some feedback. So, I sent the story to her, and she gave me a terrific critique. I did the edits she suggested, and she looked at the story again. After going back and forth a couple more times, I joked that she should charge me for the feedback because she wasn’t in my critique group and was spending an awful lot of time helping me.
That was when she confessed that she was interning to be an agent and perhaps it was possible that we could, one day, work together as agent and client since she was looking to represent most of the things I write.
It started innocently enough. I first met Ella through the 2013 12x12 (like I said, that has been a wonderful venue in so many ways!), and we became Facebook and Twitter friends. Now, I normally try very hard not to whine on social media, but I was feeling down after a rejection, and despite my better judgment, I tweeted that just because some publisher doesn’t like my story doesn’t mean it’s not a good story.
The universe must have taken pity on me that day because Ella saw my tweet, asked me to show her the story so she could give me some feedback. So, I sent the story to her, and she gave me a terrific critique. I did the edits she suggested, and she looked at the story again. After going back and forth a couple more times, I joked that she should charge me for the feedback because she wasn’t in my critique group and was spending an awful lot of time helping me.
That was when she confessed that she was interning to be an agent and perhaps it was possible that we could, one day, work together as agent and client since she was looking to represent most of the things I write.
I thought it was a wonderful idea since she is obviously
smart and nice and if it worked out, I couldn’t ask for a better person to
represent me.
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| Signing the Contract! |
Even though we’d been inching closer and closer to
officially working together, I was still taken by surprise when I got The Call.
When she said, “May I ask you a question?” I was absolutely not expecting it to
be “Would you like to be my client?” I thought she was going to ask me some
detail about one of the stories I’d recently submitted to her to look at. I
think Clueless is my middle name.
I squeeeeed, of course. I hope I didn’t hurt her ear.
When did you know
she was the agent for you?
When I first got feedback from her, I discovered that she
was incredibly insightful, and thought, “wouldn’t it be nice if she were part
of my critique group?” But since I didn’t know she was interning to be an
agent, I wasn’t thinking, “boy, she’d be the perfect agent for me.” By the time
she told me she was an agent-in-training, we’d already established a good
rapport and worked well together on editing my stories, so I knew then that
having her as my agent would be absolutely ideal.
You are already
indie published. Is that something Ella is
supportive of?
I’m pretty sure Ella knows about the speculative fiction
anthologies for charity that I’m a part of, but I’ve not asked her for her
thoughts on them. The anthologies are selling well, and we’ve donated over
$1,000 to Doctors Without Borders (100% of the profits are donated). Besides
the do-good component of these indie-published e-books, they have also served
as a nice platform builder for my SF group, The Minnows. We have a number of complimentary
reviews on both Amazon and Goodreads, and I have personally received two fan
emails from complete strangers.
 |
| One of Teresa's stories is in this science fiction anthology |
 |
| One of Teresa's stories is in this anthology of fractured fairy tales |
Since agents and editors generally like for authors to build
platforms, I would think that the anthologies can only be a beneficial thing.
While they’re not related to children’s lit, they are science fiction, which is
one of the categories that I write. If I were ever to write anything that was
not compatible with the kid lit world, I would definitely ask Ella’s opinion on
it.
Okay, I checked with Ella and here’s her reply: "Whether
indie publishing makes sense depends on the circumstances. I think a group of
sci-fi writers teaming up together to write a short story anthology to support
charity is awesome, so go you."
See, isn’t Ella THE best?!
What are the next
steps for you and your agent?
I think the current game plan is to start submitting one or
two of my fiction and nonfiction picture book manuscripts. I have a couple more
picture book stories that are pretty close to final draft form that Ella plans
to take on after that. I have a middle-grade science fiction story and a young
adult steampunk novel in various stages of revision and writing, so they’re not
really on Ella’s radar yet. Can’t sell unfinished works. J
I’m continuing to write sci-fi short stories for inclusion
in upcoming charity anthologies, but those are independent of Ella (as I get no
income from them).
I would be remiss if I didn’t credit my three critique
groups for helping me on my writing journey: The Minnows Literary Group - the
sci-fi group composed of former classmates from the Gotham classes; my
in-real-life SCBWI critique group; and The Penguins, my online picture book critique
group of fellow 12x12 participants. I love all my critique group friends dearly!
You can find Teresa online at her website, her blog, Growing, Writing, Creating, on Facebook, Goodreads, and Twitter.
If you enjoyed this post, you may also like:
- How I Got My Agent: Alayne Kay Christian
- Susanna Leonard Hill Makes Picture Book Magic (review of picture book writing course)
- Poetry Friday: A New Poetry Class for Picture Book Writers