|Fallen Leaf Lake, South Lake Tahoe|
|Photo courtesy of fellow illustrator Kary Lamb Lee|
Organized by the Nevada SCBWI chapter, the first two days were open to anyone, and the last day kicked off the Nevada SCBWI Mentor Program. The program pairs ten well-known authors and illustrators with 2 to 3 writers or illustrators each. The 24 mentees come from all over the U.S. and the world (including, Canada, Australia and the Netherlands). We will work with our mentors remotely for six months and meet again in April 2014.
At the conference, we took part in two small critique groups. I signed up for a writing group and an illustration group. Faculty and the guest agent, Sarah Davies from The Greenhouse Literary Agency, gave talks. We had free time for hikes, sketching/writing, and chilling by the lake.
The Illustration Program Was Amazing
My mentor is David Diaz (Caldecott winner and illustrator of over 35 books). The other illustrator mentors are E.B. Lewis (award winning illustrator with over 50 published books) and Jim Averbeck (picture book and middle grade author-illustrator). I learned so much from all of them.
- Portfolio Critiques. In my illustration critique group, the mentors critiqued our portfolios, which was a great learning experience.
|David Diaz during the portfolio critique|
What I learned from David Diaz:
- Every illustration must have AIR (Action, Interaction, and Reaction).
- Decide whether your style is realistic or stylized, but don't fall in between.
- What does your world look like? Make sure your portfolio makes that world believable.
- "There's no place for dabblers and dilettantes here."
What I learned from E.B. Lewis:
- In a portfolio, use the Post-Rail-Rail-Post system (strongest piece first, other, other, strong piece, other, other, strong, etc.).
- "The object of art is not to reproduce reality, but to create a world of the same intensity," quoting Alberto Giacometti
- "We're in the business of amazement."
- Take the time to learn your craft and look at great art.
- Photoshop Demo. One afternoon, David shared some Photoshop tips and tricks:
- Reference Photo Workshop. Later, E.B. taught us how to set up and shoot reference photos for illustrations:
- Mentor Time. Throughout the weekend, David met with me and the two other illustrators he is mentoring, Sidne Teske and Heidi Woodward Sheffield (check out their websites; I am in awe of their work). I got detailed advice and direction on my illustrations and a plan forward for the next six months.
|Heidi, David, Sidne & me|
I Learned from Writer & Industry Heavyweights
Although I focus on illustration, I took the opportunity to soak in information about writing and publishing.
- Critique Group. Middle grade author Susan Hart Lindquist led my writing critique group and gave some great advice: "Sometimes your ending is really the middle." Meaning, sometimes the most interesting part of the story comes after the expected ending.
- Writing Tips. YA author Heather Petty talked about Focus, Structure, Voice, Arcs within Arcs, and Stakes. Her advice: refuse to take the easy way out and up the stakes for your characters. Or as she put it, "Set the tree on fire!" (The job of the writer is to put a character in a tree, set it on fire, and then get the character down).
- Faculty Discussion. At a Q&A session, a discussion on voice included these nuggets:
"Voice has to do with rhythm, word choice, attitude. Do not just develop your voice, but develop your ear." Jim Averbeck
You need to do a lot of experimentation to develop your voice. You need a cultivated ear. Sarah Davies
"It's not the personality of the character, it's the personality of the prose." Suzanne Morgan Williams
|Some of the faculty (l to r): Suzanne Morgan Williams, Susan Hart Lindquist, Sarah Davies, E.B. Lewis, David Diaz, Jim Averbeck, Elizabeth Law (receiving an art print she won from Heidi Sheffield), Jenny MacKay, Heather Petty|
- Inside Scoop. At an impromptu talk about agenting, Sarah Davies shared some war stories and told us she is looking for (1) middle grade stories with a classic voice like THREE TIMES LUCKY by Sheila Turnage or Kate DiCamillo books; (2) a sexy historical YA novel, ideally set in the French Revolution involving love across the classes; and (3) excellent, contemporary YA romances like THE STATISTICAL PROBABILITY OF LOVE AT FIRST SIGHT, by Jennifer E. Smith.
I Met an Awesome Group of Fellow Creatives
The best part of the conference was getting to know an amazing group of creative people in a small and beautiful setting. Lots of memorable meals, walks, and evening fireside chats (a highlight was a heated debate between former Egmont USA publisher Elizabeth Law and YA author Ellen Hopkins about the merits of TWILIGHT).
|Many of the illustrators at the retreat; photo courtesy of Kary Lamb Lee|
On the last morning, we woke to 4-6 inches of powdery snow. I caught some magical moments near dawn, and before we knew it, it was time to fly back to reality.
|Snowfall at dawn at Fallen Leaf Lake|
|View of the lodge at the Stanford Sierra Conference Center|
|Last view of the lake|
I can't wait to see what the next half year brings.
If you enjoyed this post, you might also like: